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Christopher Nolan's, The Odyssey, is a mythic action epic shot using brand new IMAX® film technology.

The film stars Matt Damon, Tom Holland, Anne Hathaway, Robert Pattinson and Lupita Nyong'o, with Zendaya and Charlize Theron.

The film opens in theaters everywhere on July 17, 2026.

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Store details can be found on the contact page.",[],{"_8":1010,"_10":70,"_71":1011,"_79":1016,"_16":167},"9f372851ad8a",[1012],{"_8":1013,"_10":75,"_76":1014,"_44":1015},"e6578f2654410",[],"Thanks!",[],"What are my different shipping options?","relatedProducts",[1020,1094,1164,1236],{"_130":1021,"_17":1022,"_742":1023,"_761":1024,"_813":1026,"_764":1077},"gid://shopify/Product/10344350351557","The Star Wars Archives","star-wars-archives-episodes-i-iii-1999-2005-40ed",{"_35":1025},"https://cdn.shopify.com/s/files/1/0625/6679/3413/files/978-3-8365-9327-4.jpg?v=1791425490",[1027,1029,1031,1033,-5,1035,1037,1038,1039,1042,1044,-5,1046,1048,1050,1052,-5,-5,1053,1055,-5,-5,1057,-5,1058,1059,-5,1060,-5,1062,-5,1064,1065,-5,1066,1067,-5,1068,1069,-5,1070,1071,-5,1072,1073,-5,1074,1075,-5,1076],{"_816":817,"_818":17,"_789":1028},"Star Wars Archives Episodes I-III 1999-2005 40ed",{"_816":817,"_818":820,"_789":1030},"DUNCAN PAUL",{"_816":817,"_818":823,"_789":1032},"HB",{"_816":817,"_818":826,"_789":1034},"TASCHE",{"_816":817,"_818":832,"_789":1036},"BREP",{"_816":835,"_818":836,"_789":837},{"_816":835,"_818":17,"_789":1022},{"_816":835,"_818":1040,"_789":1041},"subtitle","1999-2005. 45th Ed",{"_816":835,"_818":820,"_789":1043},"Paul Duncan",{"_816":835,"_818":843,"_789":1045},"

From the moment Star Wars burst onto the screen in 1977, audiences have been in equal parts fascinated and appalled by the half-man/half-machine hybrid Darth Vader. In 1999, creator George Lucas began the story of how Anakin Skywalker grew up to train as a Jedi under Obi-Wan Kenobi, found love with the Queen of Naboo, Padmé Amidala, before turning to the dark side of his nature and becoming more machine than man.

After driving the development of nascent digital technology, George Lucas perceived how he could create new creatures and new worlds on a grander scale than ever before. He created the first digital blockbuster, and met fierce resistance when he pushed for widespread digital cameras, sets, characters, and projection - all of which are now used throughout the industry. He essentially popularized the modern way of making movies.

Made with the full cooperation of George Lucas and Lucasfilm, this second volume covers the making of the prequel trilogy - Episode I The Phantom Menace, Episode II Attack of the Clones, and Episode III Revenge of the Sith - and features exclusive interviews with Lucas and his collaborators. The book is profusely illustrated with script pages, production documents, concept art, storyboards, on-set photography, stills, and posters.

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Since its formation in the 80s, Studio Ghibli films have enchanted audiences with whimsical worlds, unforgettable characters and timeless stories. This little book guides you through all things Ghibli, packed full of fascinating facts, behind-the-scenes insights and revealing trivia across the studio's legendary films.

From classics like Spirited Away and My Neighbour Totoro to recent masterpieces such as The Boy and the Heron, this little book celebrates the studio's most iconic creatures, famous scenes and distinguished directors.

Whether you're a lifelong fan or just joining the magical world of Ghibli, The Little Guide to Ghibli is the perfect introduction to the iconic studio that has given us 40 years of film perfection.

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\"The major characteristic of Studio Ghibli - not just myself - is the way we depict nature. We don't subordinate the natural setting to the characters. Our way of thinking is that nature exists and human beings exist within it.\" - Hayao Miyazaki

One of Hayao Miyazaki's greatest creative projects wasn't a film: it was a Museum. Situated in a pleasant public park in Western Tokyo, the Ghibli Museum is a celebration of creativity, the imagination and animation. Filled with exhibits, dioramas and countless little details designed by Hayao Miyazaki itself, it is a place of wonder that rewards exploration.

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Sofia Coppola's Lost in Translation (2003) brings two Americans together in Tokyo, each experiencing a personal crisis. Charlotte (Scarlett Johansson), a recent graduate in philosophy, faces an uncertain professional future, while Bob Harris (Bill Murray), an established celebrity, questions his choices at midlife. Both are distant - emotionally and spatially - from their spouses. They are lost until they develop an intimate connection. In the film's poignant, famously ambiguous closing scene, they find each other, only to separate.

In this close look at the multi-award-winning film, Suzanne Ferriss mirrors Lost in Translation's structuring device of travel: her analysis takes the form of a trip, from planning to departure. She details the complexities of filming (a 27-day shoot with no permits in Tokyo), explores Coppola's allusions to fine art, subtle colour palette and use of music over words, and examines the characters' experiences of the Park Hyatt Tokyo and excursions outside, together and alone. She also re-evaluates the film in relation to Coppola's other features, as the product of an established director with a distinctive cinematic signature: 'Coppolism'. Fundamentally, Ferriss argues that Lost in Translation is not only a cinema classic, but classic Coppola too.

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Groundbreaking in its departure from its predecessors, When Harry Met Sally... (1989) established classic romantic comedy themes and tropes still being employed today. Following the relationship between its title characters, Harry (Billy Crystal) and Sally (Meg Ryan), and their best friends Jess (Bruno Kirby) and Marie (Carrie Fisher), the film unfolds as a series of episodes, from Harry and Sally's prickly car journey from Chicago to New York City to a momentous encounter on New Year's Eve twelve years later.
Tamar Jeffers McDonald's insightful study explores how writer Nora Ephron and director Rob Reiner used structure, filmic devices, music and classic romcom concepts in innovative new ways. In her afterword to this new edition, she reflects on the movie's continuing influence on the romcom genre, and its relevance in a more turbulent era, where the question at the movie's heart - \"Can men and women ever just be friends?\" takes on fresh nuance in the age of #MeToo.

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The Odyssey

by Christopher Nolan