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We may need to send away for a replacement copy from the publishers, so there could be a wee wait.",[],{"_8":969,"_10":70,"_71":970,"_79":975,"_16":167},"0e887394e709",[971],{"_8":972,"_10":75,"_76":973,"_44":974},"d3a03d3cd16e0",[],"For any other return question, please email online@unitybooks.co.nz\n",[],"What is your refund policy?",{"_8":978,"_10":958,"_943":979,"_226":998},"cfe391969264",[980],{"_8":981,"_10":70,"_71":982,"_79":996,"_16":167},"203f1575c2b4",[983,987,992],{"_8":984,"_10":75,"_76":985,"_44":986},"2a857a8a1677",[],"Please contact us directly by emailing ",{"_8":988,"_10":75,"_76":989,"_44":991},"f8c6077b8006",[990],"d8624759306b","online@unitybooks.co.nz",{"_8":993,"_10":75,"_76":994,"_44":995},"e982d795c281",[],". 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Why do we write poetry? Where did it all begin? Who can write it, and most importantly, how? In How to Lay an Egg With a Horse Inside, Brian Bilston, one of the UK's funniest and best-loved poets, takes us through the how's, why's and what's of reading and writing poetry.

Bilston accompanies us through the jungle of imagination to the source of inspiration, takes us under the bonnet of a sonnet and over the fear of literary devices, gives us a whirlwind tour through the history of poetry, and shows us why we will always write better than any robot. Showcasing over a hundred brand new poems, and also including practical criticisms of some of his greatest hits, every section is an accessible, funny, and deeply pleasurable deep-dive into the craft.

Charming, warm, and comforting, for readers of poetry or those just getting started, How to Lay an Egg With a Horse Inside is for anyone who loves words, and loves all the things they can do.",{"_820":839,"_822":851,"_793":852},{"_820":839,"_822":854,"_793":1048},"Pan Macmillan",{"_820":839,"_822":827,"_793":1050},"Trade Cloth",{"_820":839,"_822":859,"_793":1052},"Hardback",{"_820":839,"_822":862,"_793":863},{"_820":839,"_822":865,"_793":1055},"2026-04-16",{"_820":839,"_822":868,"_793":1057},"304",{"_820":839,"_822":830,"_793":1059},"Picador",{"_820":871,"_822":731,"_793":872},{"_820":871,"_822":877,"_793":878},{"_820":871,"_822":880,"_793":878},{"_820":871,"_822":885,"_793":1064},"13/05/2026",{"_820":871,"_822":890,"_793":1066},"56.0",{"_820":871,"_822":895,"_793":893},{"_820":898,"_822":899,"_793":1069},"Poetry,Writing Guides",{"_820":898,"_822":731,"_793":1071},"Poetry;Writing Guides",{"_820":898,"_822":904,"_793":1073},"POETRY,WRIGUI",{"_820":898,"_822":908,"_793":1075},"POETRY;WRIGUI",{"_820":898,"_822":910,"_793":1077},"POETRY,LITERARY CRITICISM, BOOKS & WRITING GUIDES",{"_820":898,"_822":915,"_793":1079},"POETRY;LITERARY CRITICISM, BOOKS & WRITING GUIDES",{"_820":898,"_822":917,"_793":1081},"FICTION & POETRY,ESSAYS & REFERENCE",{"_820":898,"_822":922,"_793":1083},"FICTION & POETRY;ESSAYS & REFERENCE",{"_820":898,"_822":924,"_793":1085},"FICTION & POETRY,NON FICTION",{"_820":898,"_822":927,"_793":1087},"FICTION & POETRY;NON FICTION",{"_820":898,"_822":929,"_793":1089},"POE",{"_820":898,"_822":934,"_793":1089},{"_770":1092},[1093],{"_773":116,"_774":-5,"_130":1094,"_210":1095,"_784":1099,"_790":1100,"_17":1023,"_794":1102,"_796":1103},"gid://shopify/ProductVariant/46215490535621",{"_777":1096,"_779":780,"_130":1097,"_35":1026,"_782":1098},"How to Lay an Egg with a Horse Inside Cover Image","gid://shopify/ProductImage/42400293880005",1421,{"_786":787,"_788":1066},[1101],{"_754":755,"_793":1023},"9781035085729",{"_798":1104},[1105],{"_801":1106},{"_803":116,"_133":1107},{"_754":729},{"_130":1109,"_17":1110,"_742":1111,"_765":1112,"_817":1114,"_768":1184},"gid://shopify/Product/8499712655557","Philosophy of Writing","philosophy-of-writing",{"_35":1113},"https://cdn.shopify.com/s/files/1/0625/6679/3413/files/978-1-350-47389-8.jpg?v=1762989081",[1115,1116,1118,1119,1121,1122,1123,1124,-5,1125,1127,1129,1131,1133,1135,1136,-5,-5,1137,1139,1141,1143,1144,1145,1146,1147,1148,1150,1152,1154,1155,1156,1158,1160,1162,1164,1166,1167,1169,1171,1172,1174,1175,1176,1178,-5,1179,1181,1182,1183],{"_820":821,"_822":17,"_793":1110},{"_820":821,"_822":824,"_793":1117},"ARNDT DAVID",{"_820":821,"_822":827,"_793":828},{"_820":821,"_822":830,"_793":1120},"BLOOMA",{"_820":821,"_822":833,"_793":834},{"_820":821,"_822":836,"_793":837},{"_820":839,"_822":840,"_793":841},{"_820":839,"_822":17,"_793":1110},{"_820":839,"_822":824,"_793":1126},"David Arndt",{"_820":839,"_822":849,"_793":1128},"

Why write? Why care about writing well?

Most philosophers have seen writing as inferior to speech as a way to move toward truth. Just a few thinkers--including Epictetus, Nietzsche, Arendt, Foucault, Morrison, and Anzaldúa--have said that writing itself can be part of the search for understanding. But how can this be true?

In this pathbreaking work, David Arndt argues that our views of writing have been distorted by common concepts of truth, goodness, and beauty, and that we have to critically rethink these concepts in order to better understand in what senses writing can be beautiful, good, and true. He distinguishes several kinds of thought (demonstrative, interpretive, perspectival, and narrative), and explains how they are articulated in different genres of writing (papers, essays, dialogues, and stories). He ends with fifty principles of composition that guide writing at its best. Philosophy of Writing is both a philosophical meditation on writing and a practical handbook on how to write.

This luminous and illuminating book shows--in prose that is clear, graceful, and occasionally witty--how writing has been practiced as a kind of meditation conducive to the search for wisdom. But it also shows how this practice opens the deepest questions of philosophy, and calls into question the meaning of philosophy itself.

The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com.

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\"Karr is a national treasure--that rare genius who's also a brilliant teacher. This joyful celebration of memoir packs transcendent insights with trademark hilarity. Anyone yearning to write will be inspired, and anyone passionate to live an examined life will fall in love with language and literature all over again. \" -- George Saunders

Credited with sparking the current memoir explosion, Mary Karr's The Liars' Club spent more than a year at the top of the New York Times list. She followed with two other smash bestsellers: Cherry and Lit, which were critical hits as well.

For thirty years Karr has also taught the form, winning teaching prizes at Syracuse. (The writing program there produced such acclaimed authors as Cheryl Strayed, Keith Gessen, and Koren Zailckas.) In The Art of Memoir, she synthesizes her expertise as professor and therapy patient, writer and spiritual seeker, recovered alcoholic and \"black belt sinner,\" providing a unique window into the mechanics and art of the form that is as irreverent, insightful, and entertaining as her own work in the genre.

Anchored by excerpts from her favorite memoirs and anecdotes from fellow writers' experience, The Art of Memoir lays bare Karr's own process. (Plus all those inside stories about how she dealt with family and friends get told-- and the dark spaces in her own skull probed in depth.) As she breaks down the key elements of great literary memoir, she breaks open our concepts of memory and identity, and illuminates the cathartic power of reflecting on the past; anybody with an inner life or complicated history, whether writer or reader, will relate.

Joining such classics as Stephen King's On Writing and Anne Lamott's Bird by Bird, The Art of Memoir is an elegant and accessible exploration of one of today's most popular literary forms--a tour de force from an accomplished master pulling back the curtain on her craft.

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Bird By Bird

Instructions on Writing and Life

by Anne Lamott